If the Pilot implant’s promise of effortless productivity—and the way it pulls at Julie, Val, David, and Sophie in different directions—hooked you, you’ll love how Tell the Machine Goodnight explores a device that prescribes “happiness” and the tender chaos it creates in one family. Like watching David chase advantage while Sophie resists the pressure to conform, you’ll follow Pearl and her son as they weigh quick fixes against the messy, real work of being human.

You appreciated how We Are Satellites keeps the lens tight on Julie, Val, David, and Sophie—the arguments at the dinner table, the secrets around the Pilot—rather than zooming out to a global spectacle. Never Let Me Go offers that same intimate closeness: Kathy, Ruth, and Tommy’s friendships and loves unfold in small rooms and quiet fields, all while a chilling biotech reality shapes their futures just offstage.

If you liked seeing the Pilot from every angle—David’s adoption, Sophie’s medical disqualification and activism, Julie’s work intersecting with public policy—you’ll be drawn to Speak. It braids multiple voices across time to show how a single innovation in artificial companionship transforms the people who build it, sell it, and live with its consequences, echoing the multifaceted view you got of the implant’s fallout.

Part of the power of We Are Satellites is how a queer household contends with the Pilot—how Julie and Val try to protect both David and Sophie while disagreeing about what safety and success look like. The Seep offers a similarly inclusive lens as Trina faces a utopian technology that promises easy transformation; its questions about autonomy, assimilation, and love will resonate with the family tensions you felt around the implant.

If you were compelled by the way We Are Satellites sits inside each character’s head—the guilt, ambition, and fear as the Pilot reshapes the family—Version Control digs just as deeply. Following Rebecca and her physicist husband as an experimental device bends possibility and marriage alike, it captures the same knotty self-justifications and reckonings that Julie, Val, David, and Sophie face.