If you were captivated by the shifting, surreal landscapes of Viriconium and the sense that the city itself was a living, breathing character, you’ll lose yourself in City of Saints and Madmen. VanderMeer’s Ambergris is a city as strange and layered as Viriconium, with bizarre festivals, fungal mysteries, and unreliable histories that create a world so detailed you’ll question what’s real.

If you loved the lyrical, baroque prose of Viriconium, Engine Summer will entrance you with its lush, dreamlike sentences. Crowley’s writing is rich with imagery and subtle rhythms, creating an atmosphere that feels timeless and otherworldly, much like Harrison’s city of shifting illusions.

If the existential questions and philosophical undertones of Viriconium drew you in, The Drowned World offers a similarly profound meditation on memory, entropy, and the human psyche. As Kerans wanders a flooded, ruined city, Ballard explores what it means to be human in a world that is both beautiful and collapsing.

If you were compelled by the ethically complex characters and the muddy, uncertain morality of Viriconium, you'll find Isaac and his companions in Perdido Street Station to be equally fascinating. Their decisions are fraught with consequence and ambiguity, set against the backdrop of the teeming, monstrous city of New Crobuzon.

If the fractured, dreamlike chronology of Viriconium intrigued you, The Unconsoled will mesmerize you with its surreal, shifting sense of time and place. Ryder’s journey through a city of shifting rules and memories blurs reality and narrative in a way that echoes Harrison’s approach.