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Trigger Warning by Neil Gaiman
Step into a cabinet of curiosities where fairy tales wear new faces, myths lurk in alleys, and the everyday tilts toward the uncanny. Dark, playful, and humane, Trigger Warning showcases Neil Gaiman’s gift for finding wonder in the shadows.
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In Trigger Warning, did you enjoy ...
... eerie, genre-bending short stories that slip between fairy tale, horror, and the mundane?
Magic for Beginners by Kelly Link
If the quick, uncanny pivots in stories like “The Thing About Cassandra,” the fable-dark trek of “The Truth Is a Cave in the Black Mountains,” and the bite-sized wonders of “A Calendar of Tales” hooked you, you’ll love Link’s collection. In “The Faery Handbag,” a whole village might live in a purse; in “Magic for Beginners,” a TV show leaks into reality. Like Gaiman’s pieces, these tales deliver compact jolts of wonder and dread, each a strange door you can open and close in one sitting.
... uncanny, reality-skewing tales where intimate life tilts into nightmare logic?
Her Body and Other Parties by Carmen Maria Machado
Loved the way “A Lunar Labyrinth” leaves you disoriented in a mythic maze, or how “Click-Clack the Rattlebag” slides from a bedtime story into something hungry? Machado does that pressure-cooker uncanny exquisitely. Stories like “The Husband Stitch” and “Inventory” turn desire, memory, and urban legend inside out—otherworldly, seductive, and unsettling in the same breath, much like Gaiman’s strangest turns in Trigger Warning.
... dark, modern retellings of folktales and myths?
The Bloody Chamber by Angela Carter
If “The Sleeper and the Spindle” thrilled you with its thorny remix of Sleeping Beauty and Snow White, and the moral bite of “The Truth Is a Cave in the Black Mountains” lingered, Carter’s seminal retellings will feel like coming home. Her takes on Bluebeard, Beauty and the Beast, and more are lush, dangerous, and revelatory—fairy tales sharpened to a knife’s edge, much like Gaiman’s myth-minded storytelling.
... quiet magic bleeding into everyday life, with ancient powers hiding in plain sight?
The Ocean at the End of the Lane by Neil Gaiman
If “Black Dog” captivated you with Shadow stumbling into an English village’s buried horrors, you’ll savor the way Ocean lets the Hempstock women’s old magic seep into a Sussex lane. Monsters wear ordinary faces, memory lies, and a farm pond might be an ocean. It’s that same low-key intrusion of myth into the modern, intimate and eerie rather than epic.
... playful, page-bending storytelling where format becomes part of the horror?
House of Leaves by Mark Z. Danielewski
If the questionnaire structure of “Orange” and the fragmented calendar conceit of “A Calendar of Tales” delighted you with form-as-story, House of Leaves pushes that to the limit. Footnotes argue, text spirals, and documents contradict as a house grows impossibly larger inside than out. It’s a labyrinth you read as much as a tale you inhabit—formally audacious in the way Trigger Warning sometimes is, then utterly consuming.
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