If you found yourself engrossed by Paxton and Zinnia’s risky missions inside the Cloud, you’ll love The Circle. Mae Holland’s quest to succeed at the powerful tech company Circle is equally relentless, drawing you into a world where the stakes get higher with every choice she makes and the pressure to conform is as intense as the goals driving the plot.

Station Eleven offers a haunting vision of a collapsed society, echoing the corporate dystopia of The Warehouse. If you were compelled by the Cloud’s all-encompassing grip on its employees’ lives, Mandel’s portrayal of post-pandemic survival—where fragile communities arise under new rules—will draw you in with its chillingly plausible world and its exploration of what’s left when systems break down.

If you were fascinated by Zinnia’s ethically fraught choices and the blurred lines between right and wrong in The Warehouse, Never Let Me Go will captivate you. Kathy, Ruth, and Tommy’s quiet rebellion against their fate is filled with the same kind of moral ambiguity and personal conflict, leaving you questioning what’s justified when survival is at stake.

Like the immersive, almost claustrophobic world of Cloud’s warehouse city, Company Town throws you into a futuristic company-owned oil rig city where every detail matters and the setting itself feels like a character. Hwa’s navigation of this tightly controlled environment—complete with corporate secrets and technological surveillance—will satisfy your craving for rich, believable worldbuilding.

If you couldn’t get enough of the jaw-dropping reveals and shifting loyalties in The Warehouse, you’ll be hooked by Dark Matter. Each chapter throws protagonist Jason Dessen—and you—into new realities with shocking twists, making you question what’s real and keeping you guessing until the very end.