If you loved how Manny, Wyoh, and Prof de la Paz orchestrate a cell-based revolution and outmaneuver Earth’s Authority—right up through the rock-throwing deterrence—then you’ll click with the clashes between Hiroko’s ecologists, the pragmatic engineers, and charismatic agitators in Red Mars. Like Luna’s bid for sovereignty in The Moon Is a Harsh Mistress, the Martian settlers’ push toward self-rule turns technical debates and committee rooms into battlefields, with coups, crackdowns, and ideology-driven scheming that feel just as tense and consequential.

You enjoyed watching Manny and Mike juggle orbital mechanics, communications hacks, and life‑support realities to keep a fragile revolution alive. The Martian channels that same spirit: Mark Watney survives with chemistry, jury‑rigged hardware, and careful math—much like Mike’s ballistic calculations and Manny’s systems tinkering—but focused on one desperate mission: stay alive long enough for rescue. It’s that same crunchy, grin‑inducing engineering triumph you admired on Luna.

If Mike’s evolution from supercomputer to mischievous, loyal friend grabbed you—those private jokes with Manny, the secret help during the uprising—then you’ll appreciate Sidra (an AI) and Pepper forging a tender, nuanced partnership in A Closed and Common Orbit. Like Manny and Mike’s trust, Sidra and Pepper navigate identity, autonomy, and what it means to be a person, turning technical origins into a genuine, pulse‑warming companionship.

If Prof de la Paz’s “rational anarchism,” the Lunar Congress’s improvisations, and the ethical puzzles of wielding power (like when to hurl rocks at Earth) stayed with you, The Dispossessed will hit the same nerve. Shevek moves between an anarchist moon‑world and a capitalist planet, testing how societies organize, how individuals remain free, and what sacrifices real change demands—much like Luna’s struggle for a just, workable independence.

Loved the covert ops in Luna—smuggling, sabotage, and tight‑timed logistics Manny pulls off with Mike’s help? Artemis delivers a moon‑based heist where Jazz Bashara schemes to upend Artemis’s aluminum‑oxygen monopoly. Expect pressure‑suit dashes, duct‑tape fixes, and systems know‑how deployed with the same irreverent wit you saw in Manny’s clandestine runs and the revolution’s engineered mischief.