If you loved how Holmes and Watson pursue the truth behind the Baskerville legend step by step—from Barrymore’s midnight signals to tracking the culprit across the Grimpen Mire—then The Moonstone will hit the same sweet spot. You’ll follow investigators and witnesses through a meticulous pursuit of a stolen gem, with red herrings, clever deduction, and a satisfying reveal that rewards your attention to every clue.

If the brooding moors around Baskerville Hall and the sense that something uncanny stalks Sir Henry at night gripped you, The Turn of the Screw will send similar chills. Set within a secluded country house as claustrophobic as the moor at dusk, it builds dread through whispered footsteps, shadowy figures at windows, and the narrator’s mounting fear—perfect for that same foggy, gothic atmosphere.

If you enjoyed seeing events through Dr. Watson’s keen but human eyes—his reports, his observations, his admiration for Holmes—The Name of the Rose offers a similarly compelling vantage. Novice Adso narrates as his mentor, William of Baskerville (yes, a wink), unravels murders in a medieval abbey using logic, clues, and daring deductions, much like the chase from Baskerville Hall to the Grimpen Mire.

If Watson’s letters and reports—those dispatches from the moor, the diary-like updates as he shadows suspects—enhanced the suspense for you, Dracula turns that technique into a full-blooded engine. Through journals, telegrams, and newspaper clippings, you’ll piece together a looming threat much like the spectral ‘hound’ misdirection, with each document tightening the net around the truth.

If the late-game unmasking on the moor—where the harmless naturalist isn’t so harmless, and the legend hides a very human plot—delighted you, The Murder of Roger Ackroyd is a masterclass in surprise. Christie layers clues and misdirection with the precision of Holmes’s final trap for Stapleton, culminating in a twist that compels you to re-think every earlier scene.