If you loved the sly, whimsical wit and sparkling satire that runs through The High Place, you'll find similar delight in Lud-in-the-Mist. Mirrlees crafts a world where the boundaries between the mundane and the magical are blurred, and the story is infused with clever dialogue and a sense of comic absurdity. Like Cabell, Mirrlees pokes fun at social conventions through characters such as Nathaniel Chanticleer, all while weaving a story that's as sharp as it is enchanting.

If the elaborate, lush prose and the almost lyrical narration of The High Place drew you in, Jonathan Strange & Mr Norrell will absolutely captivate you. Clarke's use of language is both elegant and grand, immersing you in an alternate-history England where magic is revived. The book's ornate style echoes Cabell's, making every sentence a pleasure for lovers of literary craftsmanship.

If you were intrigued by the undercurrents of philosophical exploration in The High Place—questions about happiness, fulfillment, and the consequences of desire—then The Last Unicorn will resonate deeply. Beagle's tale of the unicorn's search for her lost kind is rich with meditations on immortality, love, and the bittersweet nature of longing, all wrapped in lyrical prose and a bittersweet tone.

If Florian's questionable ethics and the book's playful subversion of morality in The High Place fascinated you, The Master and Margarita offers a similarly delightful ambiguity. Bulgakov's characters—especially the enigmatic Woland and the hapless Master—navigate a world where good and evil intermingle, all while the narrative skewers bureaucracy and hypocrisy with biting satire.

If you relished the grand, mythic sweep and detailed world of Poictesme in The High Place, you'll be swept away by The Worm Ouroboros. Eddison's epic is set in a stunningly realized fantasy realm, filled with heroic quests, elaborate customs, and a sense of timeless legend. The book's archaic language and vivid landscapes create an immersive experience for fans of ornate, high fantasy.