If you were captivated by India Morgan Phelps’ unreliable, fragmented storytelling and the way The Drowning Girl blurs the line between truth and delusion, you’ll be drawn into Liar. Micah, the narrator, insists she’s always honest—even as her confessions become increasingly suspect. The novel’s twisting narrative keeps you doubting every revelation, much like India’s shifting recollections.

If the introspective, haunting portrayal of India’s mind in The Drowning Girl resonated with you, you’ll love Merricat’s voice in We Have Always Lived in the Castle. The book delves deep into the psychological isolation and ritualistic routines of two sisters living on the edge of society, where reality is shaped as much by trauma and obsession as by the outside world.

If you enjoyed how The Drowning Girl weaves memory, myth, and mental illness into a non-linear tapestry, The Red Tree offers a similarly fragmented narrative structure. Through journal entries and found documents, Sarah Crowe’s descent into psychological and supernatural terror unfolds in a way that blurs timelines and the boundaries between reality and nightmare.

If you loved how The Drowning Girl entwines myth, ghost stories, and reality, you’ll be fascinated by the stories in Her Body and Other Parties. Machado’s tales twist the mundane with the surreal, exploring themes of identity, sexuality, and trauma in a world where the magical and the real constantly bleed together.

If you were intrigued by the shifting layers of truth and myth in The Drowning Girl, The Night Ocean will enthrall you. This novel delves into literary obsession and hoaxes, following characters who chase the truth behind an H.P. Lovecraft mystery. The narrative peels back layer after layer, leaving you questioning what’s real and what’s invented, much like India’s journey.