If the compiled diary pages, therapy transcripts, and CCTV around the Elmbridge High fire pulled you in, you’ll love how The Last Days of Jack Sparks unfolds through emails, interviews, and a “found manuscript.” Watching Jack argue with his own editor’s footnotes and disputed files scratches the same itch as sifting Kaitlyn/Carly’s journal and case notes—right down to that eerie question of what was staged, what was illness, and what wasn’t human at all.

Haunted by the split self of Kaitlyn/Carly? The Wicker King traps you in August’s head as he follows his best friend Jack into a kingdom only Jack can see. As the pages darken and police reports, school write-ups, and notes seep in, you’ll feel that same destabilizing pull you got from Kaitlyn’s diary and the sessions where reality and delusion traded places.

If the psychological spiral behind Kaitlyn/Carly’s voice kept you up at night, White Is for Witching delivers that same claustrophobic unease. Miranda’s disordered eating and fugue-like episodes tangle with a predatory house that sometimes speaks for itself. As with the aftermath of Elmbridge, you’ll keep asking whether you’re witnessing possession, pathology, or a terrible fusion of both.

If reordering the diary entries and video logs in The Dead House thrilled you, Genuine Fraud plays a mesmerizing game in reverse. Each chapter pulls you further back through Jule’s past, recasting identities and motives the way new evidence in the Elmbridge case kept rewriting what you thought you knew about Carly and Kaitlyn.

If the late-game revelations about Naida’s ritual and the Elmbridge fire made you reexamine every file, Rules for Vanishing will hit that same nerve. Sara’s search for her sister unfolds through interviews, phone footage, and written statements, and each twist recontextualizes the evidence until you’re no longer sure which version of the night’s events to believe.