If you loved following Inspector Tyador Borlú through Besžel and Ul Qoma’s split jurisdictions—dodging Breach while the Mahalia Geary case kept morphing under political pressure—you'll click with Detective Meyer Landsman’s hunt through Sitka. As Landsman and his partner Berko Shemets dig into a dead chess prodigy, the case keeps colliding with the rules and rival powers of their improvised city-state, much like Borlú’s investigation kept snagging on crosshatching, Orciny rumors, and diplomatic no-go zones.

Borlú’s every move is shaped by the shadow of Breach—a power that can appear anywhere and make borders absolute. In Palmer’s world, Mycroft Canner navigates a web of Hives and treaties where quasi-omniscient systems and Servicers quietly keep order. As Mycroft’s account peels back a conspiracy that touches global governance, you’ll get that same charge you felt when Breach stepped in, when Dhatt and Corwi were forced to play by rules larger than any one city.

If the enforced “unseeing” of Besžel/Ul Qoma and the terrifying exactitude of Breach thrilled you, O’Brien’s surreal precinct will feel wickedly familiar. The nameless narrator falls into a countryside where Sergeant Pluck and Policeman MacCruiskeen police reality with impossible logic, and de Selby’s theories bend what’s “real.” It’s the same brain-tilting pleasure you had as Borlú tried to parse crosshatched streets where a glance could be a crime.

Miéville’s split metropolis breathes through street-level texture—Borlú’s footwork in Copula Hall, Corwi’s grit on Besžel backstreets, the cultural layering of Ul Qoma. In Zoo City, Zinzi December and her sloth navigate a gorgeously granular Johannesburg where “animalled” ex-criminals hustle for survival. As Zinzi hunts a missing pop star for producer Odi Huron, the city’s neighborhoods, scams, and power brokers are rendered with the same lived-in specificity that made Besžel and Ul Qoma unforgettable.

If the idea of “unseeing”—choosing not to perceive what’s right there—hooked you in Borlú’s journey, Blindness pushes that theme until it shatters. As an epidemic of sightlessness spreads, the doctor’s wife witnesses quarantine wards devolve, tyrant gangs seize food, and communities redefine what can’t be seen. Like the specter of Orciny and the ritualized borders of Besžel/Ul Qoma, Saramago turns perception itself into a social law with devastating consequences.