If the way Theo wrestles with meaning and responsibility in a world without children—and the haunting Quietus rituals—stuck with you, you'll be drawn to the quiet devastation of Never Let Me Go. Ishiguro uses the sheltered lives of Kathy, Ruth, and Tommy to pose the same aching questions James raises when Theo agrees to protect Julian’s pregnancy: what obligations do we owe one another when society treats people as expendable? Like Theo’s growing moral clarity as he breaks from Xan’s order, these characters confront the cost of hope in a system designed to erase it.

If the chilling control of Xan Lyppiatt’s regime—the Councils, the Quietus mass drownings, the coercive "tests"—captivated you, The Handmaid’s Tale offers an equally searing portrait of power built on reproductive panic. As Theo shepherds Julian and the Five Fishes through surveillance and betrayal, Offred navigates Commanders, Aunts, and secret networks that mirror James’s clandestine meetings and dangerous crossings. You’ll recognize the same dread and defiance as small acts of resistance accumulate into a fragile, perilous hope.

If the quiet urgency of Theo escorting Julian toward a hidden future gripped you more than the larger world's politics, The Road is that feeling distilled. Where James narrows to the tense, personal stakes of keeping one mother and child alive under Xan’s shadow, McCarthy follows a father and son across ash and ruin, every step as risky as Theo’s border crossings and safe-house gambles. The intimacy of two people against the end of things delivers the same stark, breath-held momentum.

If Theo’s journal entries drew you in—the way his private notes peel back the Warden’s immaculate facade—We tells a whole rebellion through the protagonist’s numbered diary. D-503’s recorded confessions begin as loyal reports but, like Theo’s shift after witnessing a Quietus and meeting Julian, become dangerous self-revelations that unravel state myths. Watching a regime’s control falter under the pressure of one person’s written conscience will feel uncannily familiar.

If the chess match between Theo and his cousin Xan—the Warden’s calculated reforms, the Councils’ posturing, the betrayals around the Five Fishes—hooked you, The Dispossessed offers political tension of equal subtlety. Shevek’s bid to share a world-changing theory forces him into rival factions, state flattery, and surveillance that echo James’s cabinet intrigues and strategic crackdowns. Like Theo’s fraught moral choices, Shevek’s gambits test how ideals survive when power wants them contained.