If you loved watching Mookie Pearl muscle through NYC’s monster-haunted tunnels, cutting deals with the mob while riding the Blue to see what’s really slithering out of the dark, you’ll tear through Sandman Slim. James Stark claws his way out of Hell and plows through Los Angeles’s occult rackets with the same smashmouth energy—bar-fight magic, demon grudges, and scorched-earth payback that echoes Mookie’s brawl-with-the-abyss approach.

Mookie’s a wrecking ball who keeps doing ugly jobs for uglier people—especially when family is on the line. In Dead Things, necromancer Eric Carter returns to L.A. to solve his sister’s murder and wades into a turf war of gods, gangsters, and ghosts. Like Mookie’s clashes with his estranged daughter and the criminal powers beneath the city, Carter’s choices are messy, violent, and paid for in blood.

If the grime, broken noses, and back-alley deals in The Blue Blazes hooked you—the goblin markets, the lethal street product, the bone-deep cynicism—Low Town hits the same vein. Warden is an ex-cop turned dealer stalking a rot-stained city of killers and kingpins, where every favor has teeth. It’s the same cutthroat mood as Mookie’s mobbed-up errands through the Underworld, only with a different skyline and just as many bodies.

Wendig’s gallows humor—Mookie cracking hardboiled jokes while things get monstrously, gloriously messy—pairs perfectly with The Last Werewolf. Jacob Marlowe narrates his bloody existence with savage wit, turning carnage and doom into a deadpan confession. If Mookie’s quips in the middle of goblin brawls made you grin, Jacob’s mordant asides will, too.

Hooked on the hidden strata of New York—the Blue revealing goblins, tunnels, and an ancient economy running under the mob’s nose? Neverwhere builds an entire London Below with its own laws, currencies, and cutthroat courtiers. Like Mookie navigating goblin haunts and back-channel favors, Richard Mayhew learns that every promise in the under-city costs more than you think.