If you found Charles Thomas Tester’s morally gray decisions in The Ballad of Black Tom compelling, you’ll be drawn to the characters in Lovecraft Country. Atticus Turner and his family grapple with threats both supernatural and human, forcing them to make difficult, sometimes ethically ambiguous choices for survival in 1950s America. The book masterfully blends cosmic horror with real-world injustice, challenging heroes and anti-heroes alike.

If you appreciated the haunting, oppressive mood and violence that pervades The Ballad of Black Tom, Ring Shout will captivate you. Clark’s novella sets its supernatural horror against the backdrop of 1920s Georgia, where Maryse and her companions hunt monstrous Ku Kluxes. The story pulls no punches in depicting the darkness of both racism and eldritch terror.

If you were fascinated by the internal struggles and psychological torment experienced by Charles in The Ballad of Black Tom, you’ll be riveted by the characters in The Only Good Indians. Jones delves deep into the minds of his protagonists as they are haunted by both their past actions and terrifying supernatural vengeance, creating an intense, introspective horror experience.

If you enjoyed the close focus on Charles’s experiences in Harlem and Brooklyn, White Is for Witching offers a similarly intimate lens. The story centers on Miranda and her family within their haunted Dover house, exploring how the supernatural and personal anxieties intertwine in claustrophobic, sharply observed settings.

If the unique perspective of a Black protagonist navigating cosmic horror in The Ballad of Black Tom resonated with you, The Deep will further expand your horizons. The novel imagines a society of descendants of enslaved African women thrown overboard from slave ships, blending myth, history, and speculative elements into a powerful meditation on memory, identity, and cultural trauma.