If you were hooked by Kreizler’s team methodically building a profile of John Beecham from wound patterns, crime-scene staging, and victimology, you’ll love following Will Graham as he pieces together the Tooth Fairy’s psyche with Lecter’s chilling insights. Like those late-night strategy sessions with Moore, Sara Howard, and the Isaacsons, the investigation here is a race against time where minute forensic details—and the profiler’s mind—become the sharpest weapons.

If the chemistry of Kreizler, Moore, Sara, and the Isaacson brothers drew you in—the banter, the shared expertise, the way each specialty cracked a new facet of the case—you’ll click with the Murder Squad at Scotland Yard. Post–Ripper London gets its own forensic pioneer (Dr. Kingsley) and a tight-knit crew whose teamwork echoes those scenes where Sara works the police files while the Isaacsons test cutting-edge techniques.

If you relished how The Alienist immersed you in 1890s New York—from the Tenderloin’s back alleys to Theodore Roosevelt’s reforming precincts—you’ll savor this tour of 1845 Manhattan as the first police force takes shape. The slang, newspapers, ward politics, and Five Points squalor are as textured as Carr’s Battery-to-Bowery sprawl, capturing the same intoxicating mix of ambition, vice, and city-making.

If the bleakness of the murders, the morgue scenes, and the way Tammany pressure warps Kreizler’s investigation stuck with you, this Soviet thriller turns the screws even tighter. Like Moore and Sara pushing against corrupt bosses and public outrage, MGB officer Leo Demidov hunts a child murderer in a regime that insists such crimes can’t exist—making every discovery as perilous as any confrontation in New York’s shadows.

If Kreizler’s debates about alienism and his clinical interviews fascinated you, this novel brings Freud and Jung to 1909 New York to consult on a sadist targeting society women. You’ll find the same heady mix of autopsy-room deduction, high-society secrets, and probing questions about why killers do what they do—echoing Kreizler’s casework and those tense exchanges that pry open a murderer’s mind.