If you were drawn to the subtle, close focus on memory and personal guilt in So Long, See You Tomorrow, you'll appreciate Disgrace. Coetzee's protagonist, David Lurie, navigates a world of emotional complexity and aftermath in post-apartheid South Africa, exploring the impact of small, intimate choices and their rippling effects on the self and others.

If Maxwell's layered, time-shifting narrative structure captivated you, Atonement will strike a chord. Through Briony Tallis' shifting recollections and the novel's haunting play with time, McEwan artfully blurs the lines between memory, guilt, and reality, echoing the reflective storytelling style you enjoyed.

If you admired Maxwell’s quiet exploration of inner lives, Stoner offers a similarly introspective journey. The novel traces William Stoner's understated existence, revealing the quiet turmoil, desires, and disappointments that shape a life, much like the narrator’s meditations in So Long, See You Tomorrow.

If the emotional resonance of Maxwell’s narrator looking back on past regrets moved you, The Remains of the Day will deeply satisfy. Through Stevens, a butler reflecting on his life’s choices and the love he let slip away, Ishiguro crafts a story of memory, restraint, and the ache of what might have been.

If you cherished the gentle unfolding and atmospheric storytelling in So Long, See You Tomorrow, Housekeeping will resonate. The novel’s gradual pace, lyrical prose, and focus on two sisters navigating abandonment in a small town evoke a similarly haunting, contemplative mood.