If you laughed at the sly wit and biting satire of Small Gods—from Om's undignified transformation to the absurdities of organized religion—you'll find Good Omens a delight. The partnership of Aziraphale, a fussy angel, and Crowley, a laid-back demon, brings the same kind of clever banter and playful subversion of expectations. The apocalypse has never been so funny or so full of clever observations on human nature.

If you were drawn to the way Small Gods uses fantasy to probe questions of faith, belief, and the nature of divinity—like Brutha's struggle to reconcile Om's demands with his own conscience—The Sparrow will resonate deeply. It follows a Jesuit priest, Emilio Sandoz, as he confronts the limits of faith and the consequences of good intentions on an alien world, with the same thoughtful, challenging approach to philosophical themes.

If you appreciated how Small Gods reimagines deities as dependent on human belief and lampoons organized religion, American Gods takes that fascination further. You'll meet gods old and new, like Odin and Mr. Wednesday, grappling with fading power in modern America, and enjoy a similarly creative, subversive take on mythology and faith.

If you loved the immersive world of Omnia and Ephebe, with their distinct philosophies and customs, The Left Hand of Darkness offers a similar treat. Le Guin crafts the planet Gethen with meticulous detail, examining its unique society and gender dynamics through the eyes of Genly Ai. The setting feels as real and thoughtfully constructed as Pratchett's Discworld nations.

If Brutha's evolution from naive novice to wise, independent thinker captivated you, you'll find Pi Patel's journey in Life of Pi equally rewarding. Cast adrift with only a tiger for company, Pi's survival hinges on his faith, resilience, and personal transformation, echoing Brutha's own quest for meaning and self-discovery.