If the mix of sweeping interstellar conflict and razor-edged quips hooked you—think Alana and Marko dodging a galactic war while trading barbs, or Prince Robot IV’s courtly machinations—then you’ll click with the crumbling Flow trade network and scheming Houses in The Collapsing Empire. It delivers big, kinetic set pieces and witty dialogue while factions maneuver as ruthlessly as Landfall and Wreath, all with the same propulsive, anything-can-happen energy that drove Hazel’s family through the rocketship forest.

You enjoyed hopping between Alana, Marko, The Will, and even Prince Robot IV to see the chase from every angle. Leviathan Wakes does the same trick: alternating viewpoints follow a cynical detective and an idealistic officer as their separate trails converge, pulling you through noir investigation to system-shaking revelations. That shifting lens creates the same momentum you felt when Hazel’s narration threaded through bounty hunters, monarchs, and ghostly allies like Izabel.

If Lying Cat’s deadpan truth-telling and The Will’s morally messy choices made you laugh in spite of the blood and chaos, you’ll appreciate the way The Gone-Away World balances gruesome set pieces with pitch-black jokes and surprising warmth. It’s the same tonal tightrope Saga walks—finding human tenderness amid explosions, assassins, and body horror—only spun into a wild, reality-warping adventure.

If your heart was in it for Alana, Marko, baby Hazel, and oddball allies like Izabel sticking together while the universe hunted them, you’ll love the Wayfarer crew’s bonds. The Long Way to a Small, Angry Planet revels in found-family warmth—shared meals, in-jokes, and fierce loyalty—set against diplomatic scrapes and cross-species misunderstandings that echo Saga’s horn-and-wing cultural divide.

If you were drawn to the way Alana and Marko do questionable things for the right reasons—and how frenemies like The Will blur the line between hunter and protector—you’ll relish Locke and Jean’s audacious cons. The Lies of Locke Lamora pits lovable scoundrels against crime lords and corrupt elites with the same intoxicating mix of heart, schemes, and rule-bending that makes Saga’s fugitives so compelling.