If the chill of Louis burying Gage after the Orinco truck accident—and the way Church comes back wrong—lodged under your skin, you’ll feel that same dread here. In The Monkey’s Paw, a grieving family makes a wish that brings a loved one back, and the ominous knock at the door echoes the same awful realization Louis faces: some doors should never be opened, and what comes through isn’t what you lost.

If you were gripped by the Creeds’ private implosion—Louis’s rationalizations, Rachel’s trauma over Zelda, Ellie’s fear—this story aims that same microscope at a family’s slow collapse. A Head Full of Ghosts blurs possession and mental illness as two sisters and their parents fracture under pressure, much like how Louis tries to explain away the Micmac burial ground even as terror creeps inexorably into the home.

If the close-quarters menace of the Creed house—and Jud showing up at the door with truths you don’t want—hooked you, Come Closer delivers that same suffocating intimacy. Amanda’s life, marriage, and apartment become the entire battlefield as something insinuates itself into her, the way the burial ground’s influence seeps into Louis’s every decision until home itself turns hostile.

If what haunted you was Louis’s grief curdling into terrible resolve after Gage’s death—and the whispered legends Jud shares about the burial ground—The Fisherman casts that grief into a vast, cold river of folklore. Two widowers follow a tale about waters that can return the dead, and the slow, gathering dread swells into a revelation as devastating as anything unearthed beyond the deadfall.

If the horror for you was the moment Louis decides to cross the line—first with Church, then with Gage—Frankenstein is the primal story of that choice. Victor’s compulsion to reverse death births a being he cannot control, and the ruin that follows mirrors the moral catastrophe that begins when Jud tells Louis about the burial ground and Louis chooses to use it anyway.