If Rob Ryan’s selective memory and self-deception in In the Woods hooked you—his fog around the 1984 Knocknaree disappearance bleeding into the Katy Devlin case—then you’ll love how Gone Girl plays with your trust. Alternating accounts from Nick and Amy constantly shift what you think you know, the way Rob’s narration keeps you guessing about what really happened and what he can’t face.

If you savored the slow-burn dread of In the Woods—the patient excavation of Katy’s murder amid the lingering shadows of Knocknaree—The Secret History delivers that same creeping intensity. Richard Papen’s retrospective narration peels back a campus clique’s crime layer by layer, much like Rob’s painstaking casework with Cassie gradually exposes fault lines in memory, loyalty, and guilt.

If the interplay between the Devlin murder and Rob’s unresolved childhood tragedy gripped you in In the Woods, The Girl with the Dragon Tattoo mirrors that dual pull. Mikael Blomkvist and Lisbeth Salander dig into Harriet Vanger’s long-cold disappearance while modern threads spiral outward—echoing how Rob and Cassie’s casework stirs buried histories with dangerous present-day consequences.

If what lingered from In the Woods was the raw interiority—Rob’s fraying psyche, his bond and rupture with Cassie, and the manipulations coiling around Rosalind—Sharp Objects dives just as deep. Reporter Camille Preaker returns to her Missouri hometown to cover a child’s murder, and the case entwines with corrosive family dynamics in ways that echo Rob’s past bleeding into his present.

If the grim atmosphere of In the Woods—from the chill of Knocknaree to the political pressure around the motorway—pulled you in, The Snowman meets that darkness head-on. Harry Hole hunts a serial killer through an icy Oslo, and the investigation eats at him the way the Devlin case erodes Rob, pushing him toward dangerous choices as the clues tighten like a noose.