If you loved how Iris and her sisters slip from London streets into the Grey—where rules warp and memories blur—you’ll be right at home with the nameless narrator who finds Lettie Hempstock’s “ocean” in a farm pond and faces the chilling Ursula Monkton. Like the Hollow sisters’ childhood disappearance and its honey-sweet rot, this tale threads wonder through terror, weaving childhood memory, predatory magic, and the kind of danger that looks like comfort.

Those flowers blooming from wounds, the skull-masked pursuer, and the sugar-and-decay aesthetic of the Hollow sisters’ curse? You’ll find that same lush grotesquerie on Raxter Island, where the Tox reshapes girls’ bodies into something feral and uncanny. Like Iris, Vivi, and Grey holding tight to each other when the world turns hostile, Hetty, Byatt, and Reese claw their way through secrecy and survival with a bond that’s as sharp as it is tender.

If Iris’s missing years, fractured memories, and the slow revelation of what really happened to the Hollow sisters hooked you, Oyeyemi’s haunted Silver house will mesmerize you. Miranda’s disordered hunger, competing voices, and the family home itself whispering in first person create that same disorienting pull—where truth slips through your fingers and the past insists on remaking the present.

If Grey’s glamour, those opulent parties, and the seductive rot of the Hollow sisters’ world captivated you, Annaleigh’s seaside manor of Highmoor will do the same. The writing sways like silk over a knife: dazzling balls that curdle into nightmares, ghostly sisters at the edge of vision, and a heroine who—like Iris—must waltz through beauty to unmask the hungry thing beneath it.

If you tore through Iris’s clue-hunt for Grey—following breadcrumbs through London into a story that keeps rewriting itself—you’ll devour Alice Proserpine’s chase after her stolen mother. The Hinterland tales bite back like the Grey does, and every revelation lands with the same jolt as discovering what the Hollow sisters truly are.