Clockwork universes, time-bending choices, and machines that ask what it means to care—each tale glows with precision and heart. Thoughtful, humane, and breathtakingly inventive, Exhalation is a collection that lingers long after the last page.
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If you were moved by the way Chiang makes you care about minds unlike our own—whether it’s the air-driven anatomist in “Exhalation” or Ana Alvarado nurturing Jax and the other digients—then Lem’s Solaris will resonate. Watching Kris Kelvin confront manifestations drawn from his memories on a station above the sentient ocean, you’ll get that same mix of rigorous speculation and compassion for alien consciousness that made those Chiang stories linger.
You appreciated how Chiang grounded big ideas in plausible mechanics—like the precise, empirical autopsy in “Exhalation” and the careful constraints on prisms in “Anxiety Is the Dizziness of Freedom.” In Blindsight, interpreter Siri Keeton joins the crew of the Theseus to contact an utterly inhuman intelligence, under the predatory command of vampire captain Jukka Sarasti. The biology, neurology, and astrophysics are as exacting as the questions the mission raises about what consciousness is for.
If the variety and punch of Chiang’s collection format grabbed you—jumping from parrots lamenting our silence in “The Great Silence” to Jijingi’s encounter with writing and a lifelogging future in “The Truth of Fact, the Truth of Feeling”—Tiptree’s landmark collection delivers that same breadth. Tales like “The Girl Who Was Plugged In” and “And I Awoke and Found Me Here on the Cold Hill’s Side” are tight, devastating thought experiments that land with the immediacy you enjoyed across Exhalation’s stories.
If you loved the moment Chiang’s ideas ‘snap into place’—like realizing the full ethical stakes of raising digients in “The Lifecycle of Software Objects” or the cascading implications of prism branches in “Anxiety Is the Dizziness of Freedom”—Egan’s Permutation City offers that same intellectual rush. As Paul Durham engineers radical escapes for software ‘Copies’ and confronts the unsettling Dust Theory, each step unfolds with bracing logic that rewards your curiosity.
If the gentle wonder of Chiang’s voice stayed with you—like the narrator’s reverent self-examination in “Exhalation” and the aching hope of “The Great Silence”—Contact channels that feeling. Following Ellie Arroway as she deciphers the Vega signal and journeys via the Machine, Sagan marries big-idea spectacle with humane insight, leaving you with the same uplifting afterglow.
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