If you loved how Alosa deliberately gets herself captured to hunt for the hidden map on the Night Farer—and how every scene drives that mission forward—then you’ll devour All the Stars and Teeth. Princess Amora sets sail with pirate Bastian to claim what’s hers, hitting one focused objective after another across cursed seas and monster-infested waters. Like Alosa’s stealthy cabin searches and daring escapes, Amora’s voyage is a relentless, goal-first adventure that never lets up, with magic-slashed battles, island-hopping stakes, and a crew you’ll want to follow to the horizon.

You enjoyed how Alosa trades quips with Riden even while she’s technically the prisoner, twisting every interrogation into a verbal duel. My Lady Jane brings that same cheeky sparkle—fourth-wall winks, rapid-fire wordplay, and audacious reversals—into a rollicking, magical Tudor romp. If Alosa’s sass made you grin as she lifted keys and outfoxed guards, Jane’s quick tongue and delightfully irreverent tone will give you that same buoyant, laugh-out-loud escape.

Alosa isn’t a spotless hero—she lies, steals, and schemes to secure that map, even as sparks fly with Riden. In To Kill a Kingdom, Lira, a siren princess who collects princes’ hearts, and Elian, a prince who hunts sirens, circle each other with the same perilous charm. If Alosa’s moral flexibility and knife’s-edge choices hooked you—like secretly searching the Night Farer while playing the helpless captive—Lira’s ruthless cunning and sharp, sea-salted romance will feel thrillingly familiar.

If the charged back-and-forth between Alosa and Riden—every stolen glance and baiting confession mid-heist—was your favorite part, The Shadows Between Us doubles down on that chemistry. Alessandra aims to woo a king, marry him, and then take his throne; along the way, the plotting, seduction, and power plays crackle with the same irresistible push-pull you loved when Alosa turned interrogations into flirtation and leverage.

Alosa’s first-person narration—brash, clever, and always a step ahead as she rifles cabins and outsmarts captors—makes the adventure sing. In The Girl from Everywhere, Nix narrates with a similarly magnetic voice as her father’s ship navigates maps to sail through time. If you relished being inside Alosa’s head while she plotted every feint and escape, Nix’s intimate, wry perspective amid risky heists, shifting loyalties, and stormy seas will pull you back on deck.