If the way Tansy’s protective charms backfire—once Norman forces her to abandon them—and the faculty wives’ quiet coven made your skin crawl, you’ll love how Rosemary’s Baby burrows into a marriage under siege by smiling neighbors. Minnie and Roman Castevet’s “kindness,” Dr. Saperstein’s gaslighting, and Guy’s chilling complicity echo the same intimate, invasive witchcraft that put Norman and Tansy in danger.

If the backstabbing among college departments and the secret war between professor’s wives hooked you, Ninth House ups the ante with Yale’s occult societies jockeying for influence. Alex Stern and Darlington patrol rituals gone wrong, cover-ups, and elite privilege—much like Norman stumbling into an academic battlefield where spells, status, and survival are intertwined.

If you liked how Conjure Wife kept the stakes close—Norman and Tansy’s household besieged by nearby witchcraft—Harvest Home traps a family inside a village’s smiling conspiracy. Ned and Beth Constantine discover the Widow Fortune’s old ways, and the slow, domestic dread builds to a ritual reckoning that mirrors the intimate menace that closed in on Tansy.

If you enjoyed the sly, satirical bite of faculty life—where gossip and spells are equally weaponized—The Witches of Eastwick channels that same energy. Alexandra, Jane, and Sukie bend reality in a coastal town while Daryl Van Horne stirs rivalries and desire, echoing how the faculty wives’ enchantments in Conjure Wife twist social niceties into occult leverage.

If the hazy, rules-light sorcery in Conjure Wife—charms, curses, and wards that simply work—appealed to you, Wheatley’s classic pits the Duc de Richleau against Mocata’s satanic rites. Psychic duels, a black mass, and desperate counter-spells feel of a piece with Norman’s scramble to counteract forces he barely understands.