If Miles’s covert wooing of Ekaterin keeps you grinning—and the disastrous butter-bug banquet had you howling—you’ll love the time-tossed hijinks of To Say Nothing of the Dog. Willis serves up rapid-fire wit, misunderstandings, and impeccably timed comic set pieces as historians bungle their way through Victorian society. The tone hits that same effervescent blend of manners comedy and escalating fiasco that made the dinner parties, Council sessions, and courtship plots in A Civil Campaign so delicious.

If Miles and Ekaterin’s careful, emotionally intelligent courtship—complicated by titles, reputations, and the Vorkosigan name—was your catnip, Winter’s Orbit will hit the same sweet spot. Like the tact required around Gregor’s wedding and the Vor gossip mill, Kiem and Jainan must navigate diplomatic scrutiny, scandal, and trust issues while their chemistry builds. It’s that same mix of tenderness, political stakes, and social maneuvering that made watching Miles finally learn to listen so satisfying.

If the Council of Counts shenanigans—Dono Vorrutyer’s audacious bid, quiet deals in back rooms, and the way one speech can topple a vote—had you riveted, A Memory Called Empire delivers a feast. Ambassador Mahit Dzmare navigates court factions, coded language, and assassination plots with the same finesse Miles brings to Barrayaran politics. You’ll recognize the thrill of seeing a clever operator reshape the board without firing a shot.

If what you savored most was the people—the Vorkosigan household’s warmth, Mark and Kareen’s awkward tenderness, Roic’s earnest loyalty, and even the butter-bug project’s oddball charm—then The Long Way to a Small, Angry Planet is for you. Like the community orbiting Miles and Ekaterin, the Wayfarer crew’s bonds, conflicts, and cross-cultural respect create a cozy, humane SF tapestry where kindness and conversation solve problems as often as politics do.

If you treasured the fundamentally hopeful tone—Gregor’s steady decency, Miles’s determination to do right by Ekaterin, and a finale that opts for growth over cruelty—The Goblin Emperor offers that same balm. Maia, thrust onto a perilous throne, chooses empathy and careful statecraft, much as A Civil Campaign favors humane solutions over brute force. It’s political, yes, but suffused with dignity, kindness, and the belief people can make institutions better.